Ruth Evans
seamstress designer writer dancer researcher earthling  

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little Ruth  
Ruth, like so many little girls, took tap and ballet lessons as a child. And, like so many little girls, hardly ever practiced and stopped going when she got old enough to realize that she was either going to have to really practice or was going to look stupid.
 
In the fall of 1971, Ruth got involved in English country dancing through her older sister. By the following summer she'd also been sucked into the American contra dancing scene, an old New England tradition just then finding new life with a wide range of people, establishment and counter-culture alike. A year later Ruth was on stage at the National Folk Festival at Wolf Trap Farm in Virginia as part of a group of contra dancers.

Gradually, Ruth moved on in life but never lost her love of dance (and she got over her aversion to practicing). She took up belly dancing in her twenties and also dabbled in the ballroom dances of earlier eras.
Ruth and Charles dip  
Lowell Project   Belly Dancer
Wilson's 1816 Waltz Manual  
Although Ruth first met Charles Worsley at a vintage dance in the early '80s, it wasn't until 1994 that sparks finally flew. They were married in 1999. Their combined experience adds up to almost eighty years worth of dancing and includes English country dance, English ritual dance (Morris and sword), American contras and squares, Modern Western squares, Middle Eastern dance, Swing, Modern ballroom and Period Ballroom.
ballroom comp Charles had been a modern ballroom competitor as well as a dance researcher and performer long before teaming up with Ruth. By 2001 the pair was competing together in Amateur, Champ-level Ballroom. A few years later, they switched their primary focus from competition to historic dance research and performance.
 
 

 

 

 

 

 

 
   
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1914 foxtrot

For much of the next decade, Ruth and Charles choreographed their own unique "Then-to-Now" pieces. These showpieces demonstrated the original form of a ballroom dance before transitioning to the modern, competitive version. The "Then" sections were carefully researched and reconstructed from Charles' extensive library of period dance manuals and film clips; the "Now" pieces were honed and polished working with their world-renowned coach, Suzanne Hamby, as well as others.

These choreographies have included an 1800's Mazurka to Viennese Waltz, a One-step & Charleston to Quickstep, a Ragtime Tango to modern Tango, Fox's Trot from 1914 to today's Foxtrot, Four Eras of Waltz: 1815, 1860, 1914, & 2008, a 1914 Maxixe to modern Samba, and a Ragtime Tango to Paso Doble to Flamenco.

People seem to like them:
• "To be simultaneously entertained and educated… You brought life to the words and danced the transition superbly. Thank you!"
• "Excellent showmanship and choreography … great partnership."
• "Super music – very dramatic. Well chosen choreography. Great costuming."
• "Beautiful job! Well rehearsed with great showmanship."
• "Great, subtle phrasing… Beautiful performance – as always…"
• "Excellent! Done to perfection. You couldn't have fit the room and ended the day any better."

After their move to the historic city of Lowell awhile back, Ruth and Charles thought it would be fun to look into the dance scene in Lowell's early days and offer their services as volunteer performers to the National Park Service or some other interested local group. They quickly found that there had been lots of dancing throughout the city from the very beginning but that no previous researcher had given it more than a passing mention. A (very) small selection of what they've found so far can be seen elsewhere on this site. The project is ongoing.

Photo taken by Peter Alcivar. Image at upper right from photo by Moses Goddard.

 
 
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